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Uluslararası Fiziksel Tiyatro Laboratuvarı (14-21 Aralık, Avusturya) (9/13/2012)
Uluslararası Fiziksel Tiyatro Laboratuvarı (International Physical Theatre Laboratory) 14-21 Aralık 2012 tarihleri arasında Avusturya'da yapılacak.Dünyanın çeşitli ülkelerinden de katılımcıların yer alabileceği çalışmaya Sergei Ostrenko liderlik edecek. Çalışmanın dili İngilizce olacak. Katılım ücretinin 750£ olduğu projede 300£ değerinde burs alma imkanı bulunuyor. Haber metnini aşağıda okuyabilirsiniz. Detaylı bilgi için: http://www.iugte.com/projects/physicaltheatre International Physical Theatre Laboratory International intensive workshop under the direction of Sergei Ostrenko December 14 - 21, 2012 Leitring bei Leibnitz, Austria PARTICIPANTS The Lab is open to performers from different creative genres and techniques inspired by Physical Theatre as a bold, vibrant and multidimensional approach to contemporary theatre performance. The program is designed for experienced actors, dancers, actors of physical theatre, contemporary circus performers, choreographers and directors - performing arts practitioners with professional stage experience working in various genres, techniques and styles - interested to find new international network opportunities and collaborators. PROGRAMME Intensive practical training, lectures, discussions guided by the Russian theatre director and teacher Sergei Ostrenko, and the conference programme with leading experts and teachers from different countries. The Lab programme is focused on Ostrenko's method of actor’s training, relying on the Russian Theatre Tradition and the newest experiments in performing arts. Participants will practically explore physicality as the principal creative instrument, the key to form, style, atmosphere and emotional palette in contemporary performance, stepping beyond the limits of habitual text-based acting. Performer's physicality in the methods of Stanislavsky, Meyerhold and M.Chekhov, Meyerhold's Biomechanics Etudes, Tai-chi for actors, Training by method of improvisation, scene composition from exercises to performance: these are some of the elements uniquely transformed and combined in Ostrenko's teaching system to suit performers, directors and teachers contemporary needs. Practical sessions develop in the form of various exercises which progress from simple to compound. Gradually the group is proceeding to group improvisations and structures. Every day is setting advanced creative tasks, developing the preceding steps. Through the system of consecutive exercises the group is growing common language and trust, ability to collaborate and create together. The Lab is a great opportunity to approach a unique methodological and practical material that will enrich your professional skills and will offer you the possibility to share an intense creative experience at a global level! Moreover, the Lab opens the door towards the collaboration project - the performance creation in a Russian repertory theatre together with Russian actors and performers from different countries! The workshop language is English. REGISTRATION To apply for participation, candidates should send CV/resume with photo and a cover letter to physiktheater@gmail.com The participation fee is 750 EUR - if payment is made before September 20th; (850 EUR - if payment is made after September 20th). The fee covers participation in all events of the programme. There are several Scholarships available. Each scholarship amount is 300 EUR and covers the part of the participation fee. To apply for the scholarship, candidates should send CV with photo and a letter of motivation to physiktheater@gmail.com ACCOMMODATION IUGTE can help participants to organize accommodation and meals. The official day of arrival is Friday, December 14th, 2012 from 14:00. The day of departure is Friday, December 21st, 2012 after breakfast. PARTICIPANTS' FEEDBACK "A magnificent week long performing arts residency, programme content and beautiful surroundings intertwined to provide an unforgettable experience. An excellent opportunity to network with practitioners from all continents. International collaborations might be explored as a direct consequence of this experience, providing new opportunities that would not have risen otherwise". Yolanda Aguilar (UK) "Perfect organization and timing. The macro structure of the organization allows the perfect understanding of the concepts exposed during classes. Also the geographical place allows that your attention is only focused on the work. For me it is a model to follow in my everyday training and which i will try to do. Beautiful people in all the sense of the word". Santiago Parada (Columbia) "Physical Theatre, seems to be the process and not the result. This workshop has definitely showed me ways to incorporate this into my process. I will be looking forward to the opportunity to work with Ostrenko again, the Lab definitely given me new perspectives and new tools to use in the creation of my art". Andy Kirtland (USA) "The workshop was truly a liberating experience for me. I feel that I have grown as an actress and will continue to pursue physical theatre training. I don’t believe that physical theatre is simply an addition to the training process of an actor; I believe that it is the core and heart of the actors training and one should focus and pursue to be able to perform with every muscle of the body". Dahlia Abou- Azama (Egypt) "The venue was excellent and the schedule was very well prescribed since we had time to take notes and to digest the information in spite of the tight and intense amount of hours. Being residential made it possible to use all the amount of time with great quality". Bruno Schiappa (Portugal) "To work and spend time with so many performers from such different backgrounds, gives new knowledge and lots of inspiration. I have now got contacts all over the world, people I can share my ideas with, and perhaps, some day in the future, collaborate with. I would like to express my appriciation to IUGTE for the great space they created for international performers to meet and exchange ideas and knowledge. I am truly thankful for the meetings which took place". Line Starheimsæter (Norway) "The network of artist friends that was built during this event was absolutely priceless. My theater vision was continuously expanding just by mingling with everyone else. Having learned so much from other people in the event, I realized I also learned much more about myself. From working mostly only in my own country, I have now stepped out of my comfort zone and familiar mental boundaries, and I am now able to see myself in the context of the global theater community. Indeed, this experience is one of the greatest rewards in my life... If I had not decided to come, I cannot imagine how many years it would have taken me to witness such things and to have already so many connections with theater artists around the world". Sasapin Siriwanij (Thailand) "It couldn't be better to arrive to such a place: green, clean, open, fresh and ordered. Everything was perfectly prepared for every activity, since eating, sleeping, body working, walking...The space was definitely a perfect context to this adventure. It seemed that everything was in its correct place, in its perfect timing and in its smooth rhythm...I evaluate the training and the whole experience as a very useful and powerful tool, not only to my professional life, but also to my personal path". Edite Agra Amorim (Spain) "The word ‘laboratory’ really appealed to me, because ‘laboratory’ is a place, where you explore, and investigate without pre-conceived judgements and expectations of a result. In other words, a laboratory is where you can really learn! It is hard to explain in words, what these discoveries where about, but maybe for the first time in many years, I felt on my own body, the most crucial to any artist and human being, a connection not coming from the mind, but from the body. In retrospect, I realise that I gained so much more from this week than just new insight in methodologies and ways of uniting an ensemble. Maybe for the first time, I gained an insight in what ‘finding your own answers in the work’ really means". Paylaş  Tweet
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